FUJIFILM has revealed all the specs and codecs for their hotly anticipated GFX ETERNA 55 8K cinema camera.
NEW YORK, Sept. 10, 2025 /PRNewswire/ — B&H is pleased to announce the internal specs, recording formats, Film Simulations modes, and more for FUJIFILM’s GFX ETERNA 55 cinema camera. The GFX ETERNA 55 will utilize a massive 43.8 x 32.9mm 102MP CMOS II HS sensor and X-Processor 5 to capture footage in five primary formats—GF, Premista, 35mm, Anamorphic 35mm, and Super35mm—in resolutions up to DCI 8K. Codecs include ProRes 422, H.265, and H.264. The camera also supports twenty different Film Simulation modes.
The GFX ETERNA 55 is FUJIFILM’s first ever “filmmaking” camera, taking the large format sensor of the GFX100 II and adding in a ton of video-first features like an internal variable neutral density filter (ND0.6 – ND2.1), Adobe Frame.io Camera to Cloud support, an optical low-pass filter, and greatly expanded I/O.
The primary “Sensor Formats” are GF 4K 4:3 Open Gate at 48p, as well as GF 8K DCI, Premista 8K DCI, 35mm 8K DCI, Anamorphic 2x Squeeze 8K, and Super35mm 6.3K, all of which max out at 24p or 30p. Most can go up to 60p when dropped down to DCI 4K resolution, as well as 120p in FHD.
FUJIFILM GFX ETERNA 55 Cinema Camera Specs and Information
- Full-Frame 8K Sensor, Variable ND
- 4K48 4:3 Open Gate, 6.3K24 Super 35
- 14.5-Stop Dynamic Range, Dual-Native ISO
- Internal ProRes 422 HQ, H.265, Proxies
- Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
- 5″ 16:9, 3″ 3:2 Touchscreen LCD Screens
- 20 Film Simulations, F-Log2/C 3D LUTs
- FUJI G and ARRI PL Lens Mounts
- Ethernet, BLE with TG-BT1/ATOMOS AirGlu
- CFexpress and SD Card Slots, USB-C Port
The GFX ETERNA 55 supports Apple ProRes 422 in HQ, regular, or LT, with linear PCM 24-bit stereo audio. The camera also has HEVC/H.265 recording in 4:2:2 10-bit, as well as ProRes Proxy and H.264 proxy options. You can use the HDMI output to get a 4:2:2 10-bit uncompressed feed or 12-bit RAW with a compatible external recorder.
The FUJIFILM GFX ETERNA 55 will have twenty types of Film Simulations at launch, including PROVIA, Velvia, ASTIA, Classic Chrome, REALA ACE, PRO Neg., Classic Neg., Nostalgic Neg., Sepia, multiple flavors of ETERNA, ACROS, Black & White, and more. The camera can also store and display 16 custom 3D LUTs, and FUJIFILM is developing new 3D LUTs for applying their most popular Film Simulations to F-Log2 or F-Log2 C footage.
The GFX ETERNA 55 also has customizable framing guides, available in a variety of colors, scales, widths, and aspect ratios. The camera has remote recording functions via a browser-based application and supports Bluetooth connections via ATOMOS AirGlu or FUJIFILM’s TG-BT1 remote grip. FUJIFILM also confirmed compatibility with Tascam XLR Microphone Adapter handles.
The 16×9 5″ external LCD monitor sports an impressive 2000 nits of brightness and 6.22 million dots, while the 3:2 3″ on-board display taps out at 700 nits and 1.04 million dots. The camera uses NP-W235 batteries but has an external DC input that can power the camera and charge the battery.
Learn more about the FUJIFILM GFX ETERNA 55 Cinema Camera at B&H Explora
FUJIFILM GF 32-90mm T3.5 PZ OIS WR Lens (FUJIFILM G) Product Information also announced.
The FUJIFILM GF 32-90mm T3.5 PZ OIS WR Lens melds a cine-style form with several functions handy for single-operator capture, like optical image stabilization, autofocus, auto iris, and servo and manual zoom. Designed for large-format sensors, this FUJIFILM G-mount lens provides a 35mm equivalent of 25-71mm.
Product Highlights
- Covers Large Format | T3.5-32 Aperture
- 35mm Equivalent: 25-71mm
- Internal Focus, Iris, and Zoom Motors
- 0.8 MOD Focus, Iris and Zoom Gears
- Autofocus and Auto Iris Functions
- Optical Image Stabilization
- Manual and Servo Control Switch
- 13-Blade Iris, 25 Elements in 19 Groups
- 114mm Front Outside Diameter
- Focus Marks in Feet and Meters
About B&H Photo Video
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Contact Information
Geoffrey Ngai
B&H Photo Video
212-615-8820
SOURCE B&H Photo
